Not all that long ago I wrote an article about approaching life and faith with a sense of artistry. Art isn’t limited to painters and poets—that would be boring! Using a wide lens view, art is really just a practice where ordinary people apply authenticity, imagination and experiment to every corner of our lives. We need each of these elements as we encounter the present moment. Authenticity enables us to say it like it is—just as we feel right now. It’s the honest admission that we don’t have all the answers; we’re all cracked pots. It’s the acknowledgement of our own mundane messes. Imagination is the ability to rethink those obstacles, those immediate realities. Imagination looks at a dilapidated shanty and pronounces it to be a cottage or a bungalow. Imagination reshapes the landscape of the “here and now” with the “could be” and “what if.” Imagination is the engine that drives all great transformations. Finally, experiment is the leap of faith to attempt, to risk, to try—regardless of possible failure. An air of adventure clouds around an experimental person. Experiment lifts our honesty and our fantasy and places them on the solid ground of reality, if only for a moment. These qualities transform plumbers and politicians, mothers and millet grinders, car salesmen and cow herders into true artists.
Futures studies – an interdisciplinary field covering science, business, sociology, and psychology – tells us that there are actually a variety of types of futures. For the most part we’re used to dealing with what we might call “the relative future.” If we change our diet and exercise routine today, something will be different tomorrow as a result. The relative future is the future that is literally relative to what we are doing right now in the present. It’s the dent that we make on tomorrow, and the children of tomorrow, by the choices we make in this moment. In general we don’t consider the relative future enough. We still feel too much like little boats getting tossed around by the hurricane of fate, Sovereignty, or inevitability. Generally speaking, while our culture talks a lot about “freedom of choice” and the power of that freedom, most people doubt that they’re really going to make an impact. Consider the staggeringly small percentage of the population that actually determines a political election. The number one reason people give for not voting is because they don’t believe their vote will make a difference. It’s the same reason why people don’t make adequate retirement plans or start saving income when they’re young or even planning for next week’s agenda. Culturally we have an underdeveloped view of the relative future. It seems too unrealistic; too unrealized; too far away. Organizations and individuals must begin to take the future seriously in the immediate moment and use the qualities of the artist as the road map forward. Authenticity, imagination, and experiment are how we prepare for the future in the present. I believe these tools will be incredibly important tools for navigating the complexity of the 21st century. But I also believe they are inadequate. There’s another kind of future, one we’re even less equipped to face.
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